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Books
  • Indelible Ink : The Trick is to Keep Breathing Let’s reflect on the state of Scottish literature of the 1980’s. James Kelman, Alasdair Gray, Iain Banks and Iain Rankin came to wider public attention and William McIllvaney continued to write gritty stories of West of Scotland hard men. As another cultural icon of the 80’s Frank McAvennie might have asked; ‘wherz the burdz?’ Alistair Braidwood
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    March 8, 2010
  • Minstrels, Poets and Vagabonds… I recently received a copy of Minstrels Poets and Vagabonds, the history of rock music in Glasgow from the sixties up to the present day. Written by promoter and DJ Robert Fields the book is a fascinating history of a musical genre that is at best ignored, at worst ridiculed. Alistair Braidwood
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    February 10, 2010
  • Indelible Ink : Kill Your Friends Rarely can an epigraph have summed up the novel to come better than the Hunter S. Thompson quote that appears before John Niven’s 2008 novel ‘Kill Your Friends’. It reads as follows: ‘The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men […] Alistair Braidwood
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    February 1, 2010
  • Indelible Ink : Be Near Me Andrew O’Hagan’s Booker nominated 2006 novel Be Near Me tackles themes which are common in modern Scottish literature, but in a manner which is very much of his own styling. Religion, politics, bigotry, class, nationality and sexuality are explored in the novel but with a more considered eye than many of his contemporaries.  There is […] Alistair Braidwood
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    January 4, 2010
  • Indelible Ink : Morvern Callar In the first of his monthly columns on Scottish Literature, Alistair Braidwood takes a closer look at ‘Morvern Callar’ by Alan Warner, the 1995 novel that was later made into a film by Lynne Ramsay. Next month Alistair will examine Andrew O’Hagan’s ‘Be Near Me’. Alistair Braidwood
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    December 7, 2009
  • Indelible Ink: A new monthly column by Alistair Braidwood There’s more to life than books you know, but not much more… You rarely hear the question asked; ‘What is Scottish music?’ or ‘What is Scottish film?’ The same goes for theatre, painting, or even comedy. In all these examples the question of their Scottishness or otherwise has long since mattered less than the argument […] Alistair Braidwood
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    November 9, 2009

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