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Rodge Glass
  • Indelible Ink: Rodge Glass’ ‘No Fireworks’ When these columns started in November 2009 I suggested that there was a noticeable change happening in Scottish writing, and attempted to answer why. Here’s a short excerpt to give you a flavour: ‘You can argue the reasons for this new confidence in Scottish writing, when it began, or even if it exists at all, […] Alistair Braidwood
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    January 2, 2012
  • Peenko’s Scots Way-Hay – The Artists Albums of the Year (Part 3) When I sent emails out to all of the bands that I have featured this year as part of my Scots Way-Hay posts I honestly didn’t expect to get much of a response. Turns out that I was completely wrong, as I have been inundated by bands wanting to share what’s been floating their boat […] Lloyd Meredith
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    December 29, 2010
  • Peenko’s Scots Way-Hay – The Artists Albums of the Year (Part 2) So here we are with the second of my series of posts getting some of the artists that did interviews for us to tell me their albums of 2010. Our artists taking part this week include A Band Called Quinn, Burnt Island, Come on Gang!, RM Hubbert and The Last Battle. Lloyd Meredith
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    December 22, 2010
  • Indelible Ink: Special Edition ‘The Year of Open Doors’ ‘Novels are full of padding, they’re clearly objectionable’ Paul Reekie ‘Submission’ The above quote is one of my favourites and comes from the 1996 short story collection ‘Children of Albion Rovers’. It is the way I feel about many novels, and neatly sums up why I have such a love for the short story. Alistair Braidwood
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    July 30, 2010